Return to CultTVman's Fantastic Modeling     Return to Modeling SF TV

BuildEnterprise02

David Merriman's Flying Sub project

part 6 page 2

dmerimanFly2-018t

Before the two hull halves were bonded together I did as much re-contouring work as possible to the forward and after bulkheads. As you can see there is a prominent projecting 'lip' above and below each bulkhead which makes a radius transition through a near right-angle to the bulkhead. Being recessed into the hull, working the bulkheads with sanding blocks and other tools was difficult. I found it useful to do most of the grinding and re-contouring work in these areas before bonding the two hull halves together. The liberties you see me taking here with a sanding block would have been impossible had I prematurely bonded the halves together (methodology and chronology studies had identified this issue and guided me to a way to minimize the task – planning is everything!). Here I'm working the inside radius between bulkhead and lower lip with a foam backed piece of sandpaper. The side I'm working here posses the original depressions for the widow pane, searchlight, and intake. On the left you see that I've already opened up the holes for the intake and searchlight.

I mixed small portions of Evercoat's 'glazing putty', a two-part polyester contouring filler, with its cream hardener catalyst, and filled the bulkhead wells. I worked small quantities of the filler at a time, owing to the stuffs quick cure rate. Once the masses of filler had hardened to a working state, about five-minutes, I went at it with sanding blocks to get both bulkheads to a flat surface.

Most polyester fillers have a 'golden' few minutes: the point after when the stuff gels, but before it gets too hard to cut easily with tools. Pace your applications and abrasion of the filler well and the work goes quickly. Time it wrong and you'll be stuck there, blasting away, for hours on end!

dmerimanFly2-007t
dmerimanFly2-006t
dmerimanFly2-008t
dmerimanFly2-010t
dmerimanFly2-012t

Once I had smeared the forward and after bulkheads with filler, the hardening mass was first worked to a flat with course files, then further abraded with descending grades of sandpaper backed with stiff wood blocks to assure I ground down the filler to a flat plane. Here you see sanding blocks backed with #38 (really, really course stuff!), #100, and #240 sandpaper. To work tight radius curves, such as those at the lower and side lips, where the flat after bulkhead transitioned into the lower hull and vertical stabilizers, I used #240 backed with a soft foam block. The foam blocks edges had been shaped to the desired radius, making the sandpaper it backs to cut the same shape. This kind of shaping work is an acquired skill. Practice, practice, practice!

The vertical bulkheads that form the bow and stern are integral to the lower hull half of the kit. This greatly simplifies construction and also affords the bulkheads a great deal of inherent strength. Unfortunately, Rick did a poor job representing the recessed and raised details of these bulkheads. My second task, after opening up the holes in the top and bottom of the hull halves, was to file down the raised portions and fill the depressed 'detail' items cast onto the bulkheads. I favor the two-part heavily filled polyester fillers offered by Evercoat. This automotive contouring putty is available in three formulations that I'm familiar with. The one I favor is their, Polyester Glazing Putty. It has a fine grain and is ready for priming once worked with sandpaper. Unlike the Bondo products, the Evercoat fillers do not leave a gunky film on the surface of the hardened filler to foul files and sandpaper (f…f…ffff… fiasco!) – the Evercoat cures hard throughout. Note that I use a commercially available plastic pallet to mix the filler with its cream hardener catalyst.

Once the stern vertical bulkhead was worked to a true flat I made styrene masters of the access door and two corrugated panes over which the two exhaust nozzles sat. Note the two photos in the foreground. Shots of an effects miniature. These photos served as prototype as I made the door, nozzle, and corrugated panel masters. Note that there is a major variance between the shape of the vertical bulkhead on this miniature and Rick's kit. Damit! It would be just too much work to re-contour the kit to make it more faithful to the actual miniature, so I let that one slide. One advantage to the difference between prototype and Rick's kit is that the kits stern permits the inclusion of larger nozzles, better water flow from the internal pump-jets.

The significant change I made to Rick's FS-1 hull was a re-contouring of the upper bow. Examination of the shots I have of the miniatures and review of video clips from the TV show reveal a much sharper point to the upper bow than represented on the kit. I broke out the Evercoat Polyester Glazing Putty and went to work after first temporarily laying down and bonding a length of brass wire atop the hull. The wire represents the true (as best as I could eye-ball it) longitudinal centerline; the forward end of that wire representing the desired terminus of the pointed bow. I then laid catalyzed filler onto the hull, first one side, working it with file and sanding blocks; then the other side where I did the same. Once I had the new shape I pulled out the wire and filled the resulting channel, smoothing over it in such a way as to preserve the sharp crease we see on the effects miniatures.

The bow of the FS-1 r/c submarine is vulnerable to collision damage. Once the filler had been worked to shape I covered it with a layer of seven-ounce glass cloth, saturating with West System epoxy laminating resin. This toughened up the bow to prevent damage of the prominent pointed bow from moderate handling and boating collisions. The glass cloth was cut to shape, draped over the re-contoured bow, catalyzed epoxy was brushed onto the cloth and, working from the middle outboard, the resin was pushed into the cloth with careful, even brush strokes. Excess resin was wicked out with the brush and the work left to cure hard overnight. Next day the surface was sanded and another layer of resin brushed on to fill any remaining open weave of the cloth. When that had cured, the entire bow was sanded with #240 used wet.

onto page 3

Discuss these and other models in the CultTVman Fantastic Modeling Forum

©1997-2006 Stephen J. Iverson. Other material copyright of original owner. No material (images or text) may be reproduced without permission of Stephen Iverson and original copyright owner. Additional copyright and legal information

seaviewPLcoverp

Visit CultTVman's
Hobbyshop!

Galleries and  Articles

  • Star Trek
  • Star Wars
  • Lost in Space
  • Sci-Fi TV
  • Sci-Fi Movies
  • Cult Figures
  • Aurora Models
  • Batman/Superheroes
  • Real Space
  • On The Bench
  • SF Modeling FAQ
  • Tips and Techniques
  • SF Model News
  • Kit Reviews
  • Big Frankie Unchained
  • Features

  • Submit to site
  • Retro Rockets
      
    newsletter
  • Message Board
  • Chatroom
  • SF Modeling Links
  • Model Events
  • Contributors
  • Cult's Workbench!
  • About the site
  • What's New
  • Contact

    CultTVman@aol.com