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BuildEnterprise02

David Merriman's 57" Seaview part 2

Casting resin pieces is done by simply pouring catalyzed resin (polyurethane resin is my choice of chemistry) within the cavity of a rubber tool. Of course the trick is designing, building, and intelligently employing the tool. Here I'm placing some just poured tools into one of the many pressure pots I use to insure bubble free resin cast pieces. A local metal fabricator built these pots to my specifications. Typical pressure used is between fifteen and thirty psig.

BUILDING DECK AND SAIL FITTINGS

Basically, both the Teskey and DeBoer SEAVIEW's can be regarded as near enough to 1/96 scale as to not matter a whiff one way or the other.

To bad the movie production Art Director and his staff did not go with standard navy surplus deck hatches and periscopes. Had they done so I simply would have reached into my masters bin and pulled out pre-existing patterns of those items and got on directly with the tool building in support of the Teskey/DeBoer SEAVIEW 'enhancement package'.

But... nooooo!

The SEAVIEW scopes are a complete fiction as are the hatches (one in the bridge well and two on the missile deck). So, those masters had to be built from scratch. Same with the monstrous radar antenna - so big that it would have been more at home aboard the TRITON or a Migrain-3 radar picket boat.

One prominent piece of set dressing within the bridge of the SEAVIEW is a gyrocompass repeater, or binnacle. This piece of equipment is something you would more likely find on the bridge wings of a large ship, not a submarine. But, that's what we see in the movie and a few TV episodes, so I was compelled to build a binnacle master and to include it.

The two scopes, three hatches, radar antenna mast, and binnacle were turned from machine brass rod on the metal lathe. The five rudder support/bearing pieces (I made a spare - just in case!) were cut from thirty-thousands-of-an-inch thick styrene sheet plastic.

The most difficult and time consuming master I build for the 'enhancement package' is this little open lattice work reflector type radar antenna. It was hand-carved out of a block of twenty-pound model builder's foam. The block was first cut to profile and plan, then the grid work was marked off on both faces and I set to work cutting out the openings with small drill bits and #11 X-Acto blade.

The Radar Antenna     

The radar antenna itself was a laboriously cut out piece of twenty-pound Model Builder's foam. Man...! That item took me days to complete with sharp knife, jeweler's files, and magnifying glasses. I could only stand to work on this little piece for ten-minutes at a time before the urge to kill something overcame me! That job started by cutting out a blank of the antenna, plotting the slot openings on the blank, drilling holes to start the slots, and then working with new #11 X-acto blades until the desired shape had been achieved - what a nightmare job!

The entire radar antenna unit consisted of three parts: the mast, which was turned from machine brass rod; the previously discussed antenna; and the signal 'horn', cut from a piece of brass sheet. The horn and mast were soldered together and a groove was cut into the base of the antenna to slip it over an extension of the horn. CA adhesive was used to secure (rather flimsily) the antenna to the mast. What the master lacked in strength at the antenna/mast interface point would become a very stout connection on the later produced cast white metal radar antenna part.

The Hatches     

Of course the lathe work only achieved the disc portions of each hatch master. To make the two gussets that ran from the backside of each hatch (the gussets terminated at the rear of each hatch with an interconnecting hatch counter-weight spring), I cut two slits through each hatch disc and soldered a piece of brass sheet within each slit. The brass gussets were filed down till the correct shape had been achieved, and the counter-weight spring inserted between them.

Sounds simple enough, but these things are SMALL! Eye strain city!

To represent the coiled springs I wound annealed small gauge brass wire around the shank end of a very small drill bit (the high speed steel from which most drill bits are cut is very difficult to solder, so a drill bit is usually a good mandrel choice for this type work). A small dab of solder, proceeded by some acid flux, is applied to this 'spring', holding it from uncoiling or bending when the work is slid off the drill shank. Excess solder was removed with a 'wick' to retain the sharp relief of the helically wound wire. As a spring was soldered up, it was pulled off the drill shank and cut making it a tight friction fit between the hatch gussets, then it was soldered in place.

Pre-existing masters that were pulled from storage were the 'football antenna' (from masters I produced in support of our 1/96 SKIPJACK kit), and the two bell cranks (from a 1/96 SEAWOLF submarine kit).

The two bell cranks are practical items on the model. They connect to the internal operating shafts of the stern planes and skeg rudder. These bell cranks make up to push rods that in turn run through water tight seals and on to the servos mounted within the WTC-3 mod 2 (internal water tight cylinder).

Most of the masters were turned on a metal lathe from 'machine brass' stock. Here we're looking at the completed radar antenna unit, binnacle, scope heads, three hatches, a control linkage bell crank, and five (one extra) rudder support bearings. These would be finished off with putty, filing, sanding, and a final coat of primer. They were then used to create the spin casting tool from which the metal parts would be cast.

Funny thing, but the SEAVIEW periscope, antenna, and football masts are not equipped with streamlined fairings as is the practice on modern American submarines. OK, that made my life easier. Another oddity: there are no indications on the studio drawings or photos of the studio miniatures of any recesses in the top of the sail to accommodate the retracted football antenna. Hmmm...

After building up the hatches and assembling the radar pieces into a single unit, all metal items (including the scopes and binnacle) were 'pickled' in Ferric Chloride acid briefly and then rinsed in soapy water to kill the acid, then a fresh water rinse to remove the soap, then dried. This etching of the metals surface affords it good mechanical tooth, which permits very tight 'grab' of the primer.

All masters were then given a heavy spray coat of DuPont Lucite brand, 131S acrylic lacquer, gray primer.

After the primer dried, the hatches were detailed further with small bits of styrene sheet to represent hatch 'dogs', deck gussets, and bearings. The binnacle received a small square piece of sheet to represent a fuse/dimmer switch/junction box mounted on the side of the pedestal, just under the housing representing the gyrocompass repeater. After a little putty touch up to the antenna assembly and binnacle junction box, all masters were primed again, readying them for manufacture of the spin-casting 'disc' type rubber tool.

METAL CASTING

The disc type spin-casting tool is unique in that the cavities of the tool are arrayed around the center. The disc tool, designed to spin at high RPM, is subject to a great deal of centrifugal force - this force increases as the square of the distance from the center of rotation. The sprue hole, the point where molten metal is introduced into the tool, at the tools center of rotation. The molten metal is introduced as the tool spins.

Incidentally, you can spin cast either resin or metal using the same tool.
 

The creation of a disc type tool starts by first setting the masters half-way into a clay backing, then building up a containment dam around them and pouring in catalyzed RTV silicon mold making rubber. The rubber I use is produced by BJB and is their TC-5050 tool making rubber.

Making The Spin Casting Tool    

In preparation of making the first half of the disc tool, the masters were set about half-way into a clay backing. A brass tube was stood up in the center of the clay disc. Around the tube, arrayed wagon-wheel fashion sat the masters. The tube, of course, later produced in the rubber tool the sprue hole through which molten metal would be introduced to the tool cavities. Note the many small depressions set into the clay. These depressions form the positive (and later, within the other tool half, the negative) interlocking 'keys' needed to assure exact registration between the two tool halves when assembled.

The first batch of RTV was mixed and poured over the masters. After this cured hard, the work was flipped, the clay backing removed, the master pulled out, cleaned up, and a mold release applied to the face of the first tool half. Then the masters were reinstalled, a second batch of RTV mixed and poured to create the second half of the two piece disc tool.

Onto more of part 2
 

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©1997-2006 Stephen J. Iverson. Other material copyright of original owner. No material (images or text) may be reproduced without permission of Stephen Iverson and original copyright owner. Additional copyright and legal information

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